journal

My first contact with Karilee Fuglem’s installation art was in the early 2000.  A few years later I had the pleasure of interviewing Karilee for a research project I was working on at the time.

I am quite fascinated with the coarse quality of eInk displays.  They give otherwise pristine but sterile digital images a new life, a breath of consequential beauty hidden in the low resolution, black and white depictions. As analog production workflows are near …